Friday, February 01, 2008
We are going to Yalova one snowy morning, Turkey 2008
We took a ferry from Istanbul which in 1 hour joney brought us down to Yalova, small sity with thermal hot spa located in 8 km far from the city centre.
The Yalova hot springs have a natural water outlet, flowing at a rate of 15 liters per second with the potential capacity of 1,651 person/day/bath and 1651 beds on the basis of 600 liters per person l day l bath.
The hot springs have a composition of sodium chloride, calcium sulfate and fluoride. With a temperature of 57 to 60 C, 7.3 to 7.6 PH, and 1,435 mg/lt total mineral content, the waters are suitable for both bathing and drinking. Yalova hot springs are known for their therapeutic qualities, especially for rheumatic diseases, digestive maladies, neurological and urological disorders and metabolic problems.
Yalova spa incorporates open and covered pools, baths, offers massage, underwater massage and drinking cures. The spa includes two hotels with a total of 202 beds, a first-class restaurant with typical Turkish meals , cafe , a very attractive park and forest.
Galata Tower, Istanbul, Winter 2008
The Galata Tower (Turkish: Galata Kulesi), also called Christea Turris (Tower of Christ) by the Genoese and Megalos Pyrgos (The Great Tower) by the Byzantines, is located in Istanbul, Turkey, to the north of the Golden Horn. One of the city's most striking landmarks, it is a huge, cone-capped cylinder that dominates the skyline on the Galata side of the Golden Horn.
The tower was built as Christea Turris in 1348 during an expansion of the Genoese colony in Constantinople. It was the apex of the fortifications surrounding the Genoese citadel of Galata. The current tower should not be confused with the old Tower of Galata, an original Byzantine tower, named Megalos Pyrgos, which controlled the northern end of the massive sea chain that closed the entrance of the Golden Horn. This tower was on a different site and was largely destroyed during the Fourth Crusade in 1204.
The 66.90 m tower (62.59 m without the ornament on top) was the city's tallest structure when built.
The upper section of the tower with the conical cap was slightly modified in several restorations during the Ottoman period when it was used as an observation tower for spotting fires.
In 1638, Hezarfen Ahmet Çelebi flew as an early aviator using artificial wings from this tower over the Bosphorus to the slopes of Üsküdar on the Anatolian side.In the 1960s the original wooden interior of the tower was replaced by a concrete structure and it was opened to the public. There is a restaurant and café on its upper floors which commands a magnificent view of Istanbul and the Bosphorus. Also located on the upper floors is a nightclub which hosts a Turkish show. There are two operating elevators that carry visitors from the lower level to the upper levels
Aya Sofya, unique frests of Icons left in the Mosque.
The Deësis (Entreaty) mosaic probably dates from 1261. It was commissioned to mark the end of 57 years of Roman Catholic use and the return to the Orthodox faith. It is the third panel situated in the imperial enclosure of the upper galleries. It is widely considered the finest in Hagia Sophia, because of the softness of the features, the humane expressions and the tones of the mosaic. The style is close to that of the Italian painters of the late 13th or early 14th century, such as Duccio. In this panel the Virgin Mary and John the Baptist (Ioannes Prodromos), both shown in three-quarters profile, are imploring the intercession of Christ Pantocrator for humanity on Judgment Day. The bottom part of this mosaic is badly deteriorated, probably due to rain since the mosaic is next to the windows. This mosaic is considered as the beginning of the Renaissance in Byzantine pictorial art.
Virgin and Child: this was the first of the post-iconoclastic mosaics. It was inaugurated on 29 March 867 by Patriarch Photios and the emperors Michael III and Basil I. This mosaic is situated in a high location on the half dome of the apse. Mary is sitting on a throne without a back, holding the Child Jesus on her lap. Her feet rest on a pedestal. Both the pedestal and the throne are adorned with precious stones. These mosaics are a reconstruction of the mosaics of the sixth century that were previously partly destroyed. The mosaics are set against the original golden background of the 6th century. The portraits of the archangels Gabriel and Michael (largely destroyed) in the bema of the arch also date from the 9th century.
The Empress Zoe mosaics on the eastern wall of the southern gallery date from the 11th century. Christ Pantocrator, clad in the dark blue robe (as always the custom in Byzantine art), is seated in the middle against a golden background, giving His blessing with the right hand and holding the Bible in His left hand. On either side of His head are the monograms IC and XC, meaning Iesous Christos. He is flanked by Constantine IX Monomachos and Empress Zoe, both in ceremonial costumes. He is offering a purse, as symbol of the donation he made to the church, while she is holding a scroll, symbol of the donations she made. The inscription over the head of the emperor says : "Constantine Monomachos, the pious ruler of Romans and the servant of God's Jesus". The inscription over the head of the empress reads as follows : "Very pious Augusta Zoë". The previous heads have been scraped off and replaced by the three present ones. Perhaps the earlier mosaic showed her first husband Romanos III Argyros or her adopted son Michael IV. Another theory is that these mosaics were made for an earlier emperor and empress, with their heads changed into the present ones.
Aya Sofya, Istanbul, Winter 2008
There were two churches before the last varian of St. Sophia was built before it becomes a Nuslim Mosque.
On 23 February 532, only a few days after the destruction of the second basilica, Emperor Justinian I took the decision to build a third and entirely different basilica, larger and more majestic than its predecessors.
Justinian chose the physicist Isidore of Miletus and the mathematician Anthemius of Tralles as architects; Anthemius, however, died within the first year. The construction is described by the Byzantine historian Procopius' On Buildings (De Aedificiis). The emperor had material brought over from all over the empire, such as Hellenistic columns from the temple of Artemis at Ephesus. Large stones were brought from far-away quarries: porphyry from Egypt, green marble from Thessaly, black stone from the Bosporus region and yellow stone from Syria. More than ten thousand people were employed during this construction. This new church was immediately recognized as a major work of architecture, demonstrating the creative insights of the architects. They may have used the theories of Heron of Alexandria to be able to construct a huge dome over such a large open space. The emperor, together with the patriarch Eutychius, inaugurated the new basilica on December 27, 537 with much pomp and circumstance. The mosaics inside the church were, however, only completed under the reign of Emperor Justin II (565-578).
Earthquakes in August 553 and on 14 December 557 caused cracks in the main dome and the eastern half-dome to appear. The main dome collapsed completely during an earthquake on 7 May 558, destroying the ambon, the altar and the ciborium over it. The emperor ordered an immediate restoration. He entrusted it to Isodorus the Younger, nephew of Isidore of Miletus. This time he used lighter materials and elevated the dome by 6.25 meters, thus giving the building its current interior height of 55.6 meters. [3]. This reconstruction, giving the church its present 6th century form, was completed in 562. The Byzantine poet Paul the Silentiary composed an extant, long epic poem, known as Ekphrasis, for the rededication of the basilica, presided over by Patriarch Eutychius, on 23 December 562.
Hagia Sophia was the seat of the Orthodox patriarch of Constantinople and a principal setting for Byzantine imperial ceremonies, such as coronations. The basilica also offered asylum to wrongdoers. Foreign visitors were deeply impressed.
In 726 the Emperor Leo the Isaurian issued a series of edicts against the worship of images (iconoclasm), ordering the army to destroy all icons. At that time, all religious pictures and statues were removed from the Hagia Sophia. After a brief reprieve under Empress Irene (797-802), the iconoclasts made a comeback. Emperor Theophilus (829-842) was strongly influenced by the Islamic art, forbidding graven images. He had a two-winged bronze door with his monograms installed at the southern entrance of the church.
The basilica suffered damage, first by a great fire in 859, and again by an earthquake on 8 January 869 that made a half-dome collapse. Emperor Basil I ordered the church to be repaired.
After the great earthquake of 25 October 989, which ruined the great dome of Hagia Sophia, the Byzantine emperor Basil II asked for the Armenian architect Trdat, creator of the great churches of Ani and Agine, to repair the dome.[4]. His main repairs were to the western arch and a portion of the dome. The extent of the church's destruction meant that reconstruction lasted six years. The church was re-opened on 13 May 994.
In his book De Ceremoniis aulae Byzantinae (Book of Ceremonies), emperor Constantine VII (913-919) wrote about all the details of the ceremonies held in the Hagia Sophia by the emperor and the patriarch.
At the capture of Constantinople during the Fourth Crusade, the church was ransacked and desecrated. The Byzantine Greek historian Niketas Choniates described the capture of Constantinople. Many relics from the church, such as a stone from the tomb of Jesus, the Virgin Mary's milk, the shroud of Jesus, and bones of several saints, were sent to churches in the West and can be seen now in various museums in the West. During the Latin occupation of Constantinople (1204–1261) the church became a Roman Catholic cathedral. Baldwin I of Constantinople was crowned emperor on 16 May 1204 in the Hagia Sophia, at a ceremony which closely followed Byzantine practices. Enrico Dandolo, the Doge of Venice who commanded the sack and invasion of the city by the Latin Crusaders in 1204, is buried inside the church. The tomb inscription carrying his name, which has become a part of the floor decoration, was spat upon by many of the angry Byzantines who recaptured Constantinople in 1261. However, restoration carried out during the period 1847-1849 cast doubt upon the authenticity of the doge's grave. It is more likely a symbolic burial site to keep alive his memory.
After the recapture in 1261 by the Byzantines, the church was in a dilapidated state. The four buttresses in the west were probably built during this time. In 1317, emperor Andronicus II ordered four new buttresses to be built in the eastern and northern parts of the church. After new cracks had developed in the dome after the earthquake of October 1344, several parts of the building collapsed on 19 May 1346. After that, the church remained closed until 1354, when repairs were undertaken by the architects Astras and Peralta.
Aya Sofya, Istanbul, winter 2008
Hagia Sophia (Greek: Ἁγία Σοφία; "Holy Wisdom", Turkish: Ayasofya) is a former patriarchal basilica, later a mosque, now a museum, in Istanbul. Famous in particular for its massive dome, it is considered the epitome of Byzantine architecture. It was the largest cathedral in the world for nearly a thousand years, until the completion of the Medieval Seville Cathedral in 1520.
The current building was originally constructed as a church between 532 and 537 AD on the orders of the Byzantine Emperor Justinian, and was in fact the third Church of the Holy Wisdom to occupy the site (the previous two had both been destroyed by riots). It was designed by two architects, Isidore of Miletus and Anthemius of Tralles. The Church contained a large collection of holy relics and featured, among other things, a 50 ft (15 m) silver iconostasis. It was the patriarchal church of the Patriarch of Constantinople and the religious focus point of the Eastern Orthodox Church for nearly 1000 years.
In 1453, Constantinople was conquered by the Ottoman Turks and Sultan Mehmed II ordered the building to be converted into a mosque. The bells, altar, iconostasis, and sacrificial vessels were removed, and many of the mosaics were eventually plastered over. The Islamic features - such as the mihrab, the minbar, and the four minarets outside - were added over the course of its history under the Ottomans. It remained as a mosque until 1935, when it was converted into a museum by the secular Republic of Turkey.
For almost 500 years the principal mosque of Istanbul, Hagia Sophia served as a model for many of the Ottoman mosques such as the Sultan Ahmed Mosque (Blue Mosque of Istanbul), the Şehzade Mosque, the Süleymaniye Mosque, and the Rüstem Pasha Mosque.
Although it is sometimes referred to as Saint Sophia (Greek for wisdom), the Greek name in full is Church of the Holy Wisdom - and it was dedicated to the Holy Wisdom of God rather than a specific saint named Sophia.
Thursday, January 31, 2008
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