Neoclassicism: In 1870, Rome became capital city of the new Kingdom of Italy. And neoclassicism, a building style influenced by architecture during Antiquity, became a predominant style in Roman buildings. In this period many great palaces in neoclassical styles were built to host ministries, embassies and other governing agencies. One of the best-known symbol of Roman neoclassicism is the Monument of Vittorio Emanuele II or "Altar of Fatherland", where the grave of the Unknown Soldier, that represents the 650,000 Italians that fell in World War I, is located.

The Monumento Nazionale a Vittorio Emanuele II (National Monument of Victor Emmanuel II) or Altare della Patria (Altar of the Fatherland) or "Il Vittoriano" is a monument to honour Victor Emmanuel, the first king of a unified Italy. It is located in Rome, Italy. It occupies a site between the Piazza Venezia and the Capitoline Hill. The monument was designed by Giuseppe Sacconi in 1895. It was inaugurated in 1911 and completed in 1925.

The monument is built of pure white marble and features majestic stairways, tall Corinthian columns, fountains, a huge equestrian sculpture of Victor Emmanuel and two statues of goddess Victoria riding on quadrigas. The structure is 135 meters (490 ft) wide and 70 meters (230 ft) high. If the quadrigae and winged victories are included, the height is to 81 meters (265 ft).

The monument holds the Tomb of the Unknown Soldier with an eternal flame, built under the statue of Italy after World War I. The base of the structure also houses the museum of Italian Reunification.

The monument was controversial since its construction destroyed a large area of the Capitoline Hill with a Medieval neighbourhood for its sake. The monument itself is often regarded as pompous and too large. It is clearly visible to most of the city of Rome despite being boxy in general shape and lacking a dome or a tower.[1] The monument is also glaringly white, making it highly conspicuous amidst the generally brownish buildings surrounding it, and its stacked, crowded nature has lended it several derogatory nicknames. Romans sometimes refer to the structure by a variety of irreverent slang expressions, such as "Zuppa Inglese", "the wedding cake", and "the false teeth", while Americans liberating Rome in 1944 labeled it "the typewriter", a nickname also adopted by the locals. Despite all this criticism, the monument still attracts a large number of visitors. It was featured in the 2003 movie The Core where it collapses due to being struck by huge bolts of lightning.

Rome, Roman Forum, 9th June 2007

The Roman Forum , Forum Romanum, (although the Romans called it more often the Forum Magnum or just the Forum) was the central area around which ancient Rome developed, in which commerce and the administration of justice took place. The communal hearth was also located here. It was built on the site of a past cemetery.

Sequences of remains of paving show that sediment eroded from the surrounding hills was already raising the level of the forum in early Republican times. Originally it had been marshy ground, which was drained by the Tarquins with the Cloaca Maxima. Its final travertine paving, still visible, dates from the reign of Augustus.

Rome, 9th June 2007, leaving the magic city, Colosseum

The Colosseum or Coliseum, originally the Flavian Amphitheatre (Latin: Amphitheatrum Flavium, Italian Anfiteatro Flavio or Colosseo), is a giant amphitheatre in the centre of the city of Rome. Originally capable of seating 45,000–50,000 spectators, it was used for gladiatorial contests and public spectacles. It was built on a site just east of the Roman Forum, with construction starting between 70 and 72 AD under the emperor Vespasian. The amphitheatre, the largest ever built in the Roman Empire, was completed in 80 AD under Titus, with further modifications being made during Domitian's reign.

The Colosseum remained in use for nearly 500 years with the last recorded games being held there as late as the 6th century — well after the traditional date of the fall of Rome in 476. As well as the traditional gladiatorial games, many other public spectacles were held there, such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building eventually ceased to be used for entertainment in the early medieval era. It was later reused for such varied purposes as housing, workshops, quarters for a religious order, a fortress, a quarry and a Christian shrine.

Although it is now in a severely ruined condition due to damage caused by earthquakes and stone-robbers, the Colosseum has long been seen as an iconic symbol of Imperial Rome and is one of the finest surviving examples of Roman architecture. It is one of modern Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church and the Pope leads a torchlit "Way of the Cross" procession to the amphitheatre each Good Friday.

In the past the Colosseum was used to host gladiatorial shows as well as a variety of other events. The shows, called munera, were always given by individuals rather than the state. They had a strong religious element but were also demonstration of power and family prestige, and were immensely popular with the population. Another popular type of show was the animal hunt, or venatio. This utilised a great variety of wild beasts, mainly imported from Africa, and included creatures such as rhinoceros, hippos, elephants, giraffes, lions, panthers, leopards, crocodiles and ostriches. Battles and hunts were often staged amid elaborate sets with movable trees and buildings. Such events were occasionally on a huge scale; Trajan is said to have celebrated his victories in Dacia in 107 with contests involving 11,000 animals and 10,000 gladiators over the course of 123 days.

During the early days of the Colosseum, ancient writers recorded that the building was used for naumachiae (more properly known as navalia proelia) or simulated sea battles. Accounts of the inaugural games held by Titus in AD 80 describe it being filled with water for a display of specially trained swimming horses and bulls. There is also an account of a re-enactment of a famous sea battle between the Corcyrean (Corfiot) Greeks and the Corinthians. This has been the subject of some debate among historians; although providing the water would not have been a problem, it is unclear how the arena could have been waterproofed, nor would there have been enough space in the arena for the warships to move around. It has been suggested that the reports either have the location wrong, or that the Colosseum originally featured a wide floodable channel down its central axis (which would later have been replaced by the hypogeum).[2]

Sylvae or recreations of natural scenes were also held in the arena. Painters, technicians and architects would construct a simulation of a forest with real trees and bushes planted in the arena's floor. Animals would be introduced to populate the scene for the delight of the crowd. Such scenes might be used simply to display a natural environment for the urban population, or could otherwise be used as the backdrop for hunts or dramas depicting episodes from mythology. They were also occasionally used for executions in which the hero of the story — played by a condemned person — was killed in one of various gruesome but mythologically authentic ways, such as being mauled by beasts or burned to death.

Rome at night

Rome at night, Italy, 8th-9th June

Rome at night, 8th- 9th June 2007, Italy

Rome, Italy, evening 8th June 2007, Fountain de Trevi

The Trevi Fountain (Italian: Fontana di Trevi) is the largest — standing 25.9 meters (85 feet) high and 19.8 meters (65 feet) wide — and most ambitious of the Baroque fountains of Rome. It is located in the rione of Trevi.
A traditional legend holds that if visitors throw a coin into the fountain, they are ensured a return to Rome. Among those who are unaware that the "three coins" of

Three Coins in the Fountain were thrown by three different individuals, a reported current interpretation is that two coins will ensure a marriage will occur soon, while three coins leads to a divorce. A reported current version of this legend is that it is lucky to throw three coins with one's right hand over one's left shoulder into the Trevi Fountain.

Approximately 3,000 Euros are thrown into the fountain each day and are collected at night. The money has been used to subsidize a supermarket for Rome's needy. However, there are regular attempts to steal coins from the fountain, including some using a magnetized pole.

I tell you a secret! The fist time I was visiting this place I threw off a coin in the fountane wishing to get married with ... Hakan! :-) Couldn't I know that time that in 4 years we will come here together to take picture and thow new coins to wish something for our young family! You can believe it or not! :-) Try on?!

Rome, Italy, 8th June, amazing city! End of you trip

Oh, Rome! You are still being the first in our list of the best cities to visit.

Rome (Italian: Roma) is the capital city of Italy and of the Lazio region, as well as the country's largest and most populous comune, with about 2.7 million residents (October 2006, demo.istat.it). Its metropolitan area is Italy's second after Milan. It is located in the central-western portion of the Italian peninsula, where the river Aniene joins the Tiber. The Mayor of Rome is Walter Veltroni.

Rome is also identified with the Catholic Church and the holders of its episcopal seat are the popes. An enclave of Rome is the State of the Vatican City, the sovereign territory of the Holy See and smallest nation in the world.

Rome, Caput mundi ("capital of the world"), la Città Eterna ("the Eternal City"), Limen Apostolorum ("threshold of the Apostles"), la città dei sette colli ("the city of the seven hills") or simply l'Urbe ("the City"),is thoroughly modern and cosmopolitan. As one of the few major European cities that escaped World War II relatively unscathed, central Rome remains essentially Renaissance and Baroque in character. The Historic Centre of Rome is listed by UNESCO as a World Heritage Site.

Piazza di Spagna (Spenish Steps)
The Spanish Steps (Italian: Scalinata della Trinità dei Monti) is a set of steps in Rome, Italy, climbing a steep slope between the Piazza di Spagna at the base and Piazza Trinità dei Monti, dominated by Trinità dei Monti, the church that was under the patronage of the Bourbon kings of France, above. The Scalinata is "without a doubt the longest and widest staircase in all Europe".

In the Piazza at the base is the Early Baroque fountain called La Fontana della Barcaccia ("Fountain of the Old Boat"), built in 1627-29 and often credited to Pietro Bernini, father of a more famous son, Gian Lorenzo Bernini, who is recently said to have collaborated on the decoration. The elder Bernini had been the pope's architect for the Acqua Vergine, since 1623. According to an unlikely legend, Pope Urban VIII had the fountain installed after he had been impressed by a boat brought here by a flood of the Tiber river.

In the piazza, at the corner on the right as one begins to climb the steps, is the house where English poet John Keats lived and died in 1821; it is now a museum dedicated to his memory, full of memorabilia of the English Romantic generation. On the same right side stands the 15th century former cardinal Cybo’s palace, now Ferrari di Valbona, a building altered in 1936 to designs by Marcello Piacentini, the main city planner during Fascism, with modern terraces perfectly in harmony with the surrounding baroque context.

At the top the Viale ramps up the Pincio which is the Pincian Hill, omitted, like the Janiculum, from the classic Seven hills of Rome. From the top of the steps the Villa Medici can also be easily reached.

Pompeii, Italy, 8th June 2007, leaving the cuty

Pompeii, Italy, the 8th June 2007

Rediscovery of the city:

After thick layers of ash covered the two towns, they were abandoned and eventually their names and locations were forgotten. Then Herculaneum was rediscovered in 1738 by workmen working on the foundation of a summer palace for the King of Naples, Charles of Bourbon, and Pompeii in 1748.[citation needed] These towns have since been excavated to reveal many intact buildings and wall paintings. The towns were actually found in 1599 by an architect named Fontana, who was digging a new course for the river Sarno, but it took more than 150 years before a serious campaign was started to unearth them.[citation needed] The king, Charles VII of Two Sicilies, took great interest in findings even after becoming king of Spain.[citation needed]

Giuseppe Fiorelli took charge of the excavations in 1860. During early excavations of the site, occasional voids in the ash layer had been found that contained human remains. It was Fiorelli who realised these were spaces left by the decomposed bodies and so devised the technique of injecting plaster into them to perfectly recreate the forms of Vesuvius's victims. What resulted were highly accurate and eerie forms of the doomed Pompeiani who failed to escape, in their last moment of life, with the expression of terror often quite clearly visible (see [3], [4], [5]).

Some have theorized that Fontana found some of the famous erotic frescoes and, due to the strict modesty prevalent during his time, reburied them in an attempt at archaeological censorship. This view is bolstered by reports of later excavators who felt that sites they were working on had already been visited and reburied. A detailed discussion of the erotic art of Pompeii, with pictures, can be found in a separate article.

Pompeii, Italy, the 8th June 2007, History of the city

62-79
The inhabitants of Pompeii, as those of the area today, had long been used to minor tremors (indeed, the writer Pliny the Younger wrote that earth tremors "were not particularly alarming because they are frequent in Campania"), but on 5 February 62, [1] there was a severe earthquake which did considerable damage around the bay and particularly to Pompeii. The earthquake, which took place in afternoon of the 5th, is believed to have registered over 7.5 on the Richter scale. On 5 February in Pompeii there were to be two sacrifices, as it was the anniversary of Augustus being named "Father of the Nation" and also a feast day to honor the guardian spirits of the city. Chaos followed the earthquake. Fires, caused by oil lamps that had fallen during the quake, added to the panic. Nearby cities of Herculaneum and Nuceria were also affected. Temples, houses, bridges, and roads were destroyed. It is believed that almost all buildings in the city of Pompeii were affected. In the days after of the earthquake, anarchy ruled the city, where theft and starvation plagued the survivors. In the time between 62 and the eruption in 79 AD, some rebuilding was done, but some of the damage had still not been repaired at the time of the eruption [2]. It is unknown how many people left the city after the earthquake, but a considerable number did indeed leave the devastation behind and move to other cities within the Roman Empire. Those willing to rebuild and take their chances in their beloved city moved back and began the long process of reviving the city.

An important field of current research concerns structures that were being restored at the time of the eruption (presumably damaged during the earthquake of 62). Some of the older, damaged, paintings could have been covered with newer ones, and modern instruments are being used to catch a glimpse of the long hidden frescoes. The probable reason why these structures were still being repaired over ten years after the earthquake was the increasing frequency of smaller quakes that led up to the eruption.

Vesuvius eraption
By the 1st century AD, Pompeii was only one of a number of towns located around the base of Mount Vesuvius. The area had a substantial population which grew prosperous from the region's renowned agricultural fertility. Many of Pompeii's neighboring communities, most famously Herculaneum, also suffered damage or destruction during the 79 AD eruption. The people of Pompeii were covered in up to twelve different layers of soil. Pliny the Younger provides a first-hand account of the eruption of Mount Vesuvius from his position across the Bay of Naples at Misenum.

Pompeii, Italy, 8th June 2007, History

The 1 st century history:
The excavated town offers a snapshot of Roman life in the 1st century, frozen at the moment it was buried on 24 August 79 AD. The Forum, the baths, many houses, and some out-of-town villas like the Villa of the Mysteries remain surprisingly well preserved.

Pompeii was a lively place, and evidence abounds of literally the smallest details of everyday life. For example, on the floor of one of the houses (Sirico's), a famous inscription Salve, lucru (Welcome, money), perhaps humorously intended, shows us a trading company owned by two partners, Sirico and Nummianus (but this could be a nickname, since nummus means coin, money). In other houses, details abound concerning professions and categories, such as for the "laundry" workers (Fullones). Wine jars have been found bearing what is apparently the world's earliest known marketing pun, Vesuvinum (combining Vesuvius and the Latin for wine, vinum). Graffiti carved on the walls shows us real street Latin. In 89 BC, after the final occupation of the city by Roman General Lucius Cornelius Sulla, Pompeii was finally annexed to the Roman Republic. Under this period, Pompeii underwent a vast process of infrastructural development, most of which was built during the Augustan period. Worth noting are an amphitheatre, a Palaestra with a central cella natatoriua or swimming pool, and an aqueduct that provided water for more than 25 street fountains, at least four public baths, and a large number of private houses (domus) and businesses. The aqueduct branched out through three main pipes from the Castellum Aquae, where the waters were collected before being distributed to the city; although it did much more than distribute the waters, it did so with the prerequisite that in the case of extreme drought, the water supply would first fail to reach the public baths (the least vital service), then private houses and businesses, and when there would be no water flow at all, the system would then at last fail to supply the public fountains (the most vital service) in the streets of Pompeii.

The large number of well-preserved frescoes throw a great light on everyday life and have been a major advance in art history of the ancient world, with the innovation of the Pompeian Styles (First/Second/Third Style). Some aspects of the culture were distinctly erotic, including phallic worship[citation needed]. A large collection of erotic votive objects and frescoes were found at Pompeii. Many were removed and kept until recently in a secret collection at the University of Naples.

At the time of the eruption, the town could have had some 20,000 inhabitants, and was located in an area in which Romans had their holiday villas. Prof. William Abbott explains, "At the time of the eruption, Pompeii had reached its high point in society as many Romans frequently visited Pompeii on vacations." It is the only ancient town of which the whole topographic structure is known precisely as it was, with no later modifications or additions. It was not distributed on a regular plan as we are used to seeing in Roman towns, due to the difficult terrain. But its streets are straight and laid out in a grid, in the purest Roman tradition; they are laid with polygonal stones, and have houses and shops on both sides of the street. It followed its decumanus and its cardus, centred on the forum.

Besides the forum, many other services were found: the Macellum (great food market), the Pistrinum (mill), the Thermopolium (sort of bar that served cold and hot beverages), and cauporioe (small restaurants). An amphitheatre and two theatres have been found, along with a palaestra or gymnasium. A hotel (of 1,000 square metres) was found a short distance from the town; it is now nicknamed the "Grand Hotel Murecine".

In 2002 another important discovery at the mouth of the Sarno River revealed that the port also was populated and that people lived in palafittes, within a system of channels that suggested a likeness to Venice to some scientists. These studies are just beginning to produce results.